2020s dark trap, aggressive and menacing, heavy 808 bass, minimal hi-hats, sparse snare hits, male rap vocal with confident delivery, hard-hitting modern production, 140 BPM, no melody, no singing, no warmth

2019 melodic trap, melancholic and introspective, 808 bass with piano chords, trap hi-hats, male sung-rap hybrid with auto-tune, polished modern production, 145 BPM, no acoustic instruments

2021 UK drill, cold and aggressive, sliding 808s, tight snares, drill hi-hat patterns, male vocal with harsh London accent, raw drill production, 140 BPM, no melody, minimal arrangement, dark atmosphere

1990s boom bap hip-hop, gritty and raw, kick-snare pattern, vinyl crackle, dusty samples, male rap vocal with classic flow, lo-fi production with tape saturation, 92 BPM, no modern production, no 808s, no trap elements

2010s lo-fi hip-hop, relaxed and nostalgic, jazzy piano loop, soft drums, warm vinyl texture, no vocals instrumental only, bedroom production with tape hiss, 85 BPM, no aggressive elements, no modern trap sounds

2015 cloud rap, ethereal and dreamy, atmospheric synth pads, reverb-heavy 808s, airy trap hi-hats, male vocal with heavy reverb and delayed delivery, spacious production, 130 BPM, no aggressive elements, no clean vocals

2000s conscious hip-hop, thoughtful and soulful, live drums, warm bass line, soul samples, male rap vocal with clear articulation and storytelling flow, organic production with vintage warmth, 95 BPM, no trap elements, no modern production

1990s Memphis phonk, dark and grimy, cowbell pattern, heavy bass, chopped and screwed tempo, male vocal with distorted delivery, lo-fi degraded production, 140 BPM slowed to half-time feel, tape saturation, no clean production

2010s Jersey club, energetic and bouncy, rapid kick drum pattern, bed squeak sample, club synths, male rap vocal with quick delivery, high-energy club production, 140 BPM, no trap, repetitive bounce feel

1990s West Coast gangsta rap, smooth yet hard, funk bass line, G-funk synths, laid-back drums, male rap vocal with West Coast drawl, warm analog production, 92 BPM, no modern trap, vintage California sound

2018 emo rap, sad and vulnerable, guitar melodies, 808 bass, trap drums, male vocal with emotional singing and rapping, modern emo production, 135 BPM, heavy auto-tune, melancholic atmosphere

2019 trap metal, aggressive and chaotic, distorted 808s, blast beats, screaming guitar, screamed and rapped vocals, harsh aggressive production, 160 BPM, no melody, pure aggression

2010s alternative hip-hop, experimental and eclectic, unconventional samples, live instrumentation, jazzy chords, male rap vocal with unique flow, creative production, 98 BPM, no conventional structure

2005 crunk, energetic and rowdy, heavy 808 kicks, synth stabs, chant-along hooks, male shouted vocal with southern accent, club crunk production, 72 BPM, party atmosphere, no subtlety

2006 hyphy, high-energy and wild, thizz beats, rapid hi-hats, car sound effects, male rap vocal with Bay Area slang, raw hyphy production, 100 BPM, West Coast energy, no East Coast sounds

1990s jazz rap, smooth and laid-back, live jazz samples, upright bass, brush drums, male rap vocal with conversational flow, warm jazz-infused production, 88 BPM, no trap, organic feel

2000s abstract hip-hop, complex and cerebral, unconventional production, abstract samples, experimental beats, male rap vocal with intricate wordplay, artistic production, 95 BPM, no commercial appeal

2000s horrorcore, dark and sinister, eerie samples, heavy bass, ominous soundscapes, male rap vocal with horror-themed delivery, dark theatrical production, 90 BPM, no uplifting elements, maximum darkness

2000s chopped and screwed, slow and hypnotic, slowed-down beats, pitched-down vocals, heavy reverb, male rap vocal slowed and chopped, syrupy production, 60 BPM, no normal tempo, maximum slowdown

2010s instrumental hip-hop, groovy and sample-based, boom bap drums, jazz samples, scratching, no vocals instrumental only, dusty production, 95 BPM, no modern trap, vinyl aesthetic

2021 rage rap, energetic and distorted, blown-out 808s, distorted beats, vocal effects, male vocal with high-energy delivery, aggressive modern production, 155 BPM, no clean sounds, maximum distortion

2018 plugg, ethereal and spacey, flute melodies, 808 bass, airy hi-hats, male rap vocal with melodic delivery, dreamy trap production, 145 BPM, no dark elements, bright and airy

2017 Detroit trap, hard-hitting and raw, 808 slides, tight snares, street sounds, male rap vocal with Detroit accent, gritty Detroit production, 140 BPM, no polish, street authenticity

2020 New York drill, aggressive and bouncy, sliding 808s, UK drill influence, NY vocal delivery, male rap vocal with Brooklyn accent, modern drill production, 140 BPM, no melody, hard drums

1990s Miami bass, bouncy and bass-heavy, 808 kicks, booty bass, party chants, male and female call-response vocals, club bass production, 110 BPM, no subtlety, maximum bass

2005 grime, aggressive and rapid, 140 BPM, eski beats, synth stabs, MC vocals with British accent, raw London grime production, no American influences, dark electronic sound

2000s Baltimore club, fast and repetitive, rapid kick drums, call-response samples, club breaks, no traditional vocals just samples, high-energy club production, 130 BPM, no complexity, pure party energy

2015 trap soul, smooth and emotional, R&B melodies over trap beats, 808 bass, trap hi-hats, male sung vocal with R&B delivery, polished trap-soul fusion, 75 BPM, no aggressive rap, singing focus

2010s glitch hop, complex and stuttering, glitchy percussion, bass wobbles, digital artifacts, no vocals instrumental only, experimental electronic production, 110 BPM, no standard hip-hop, maximum glitch

1990s trip hop, dark and atmospheric, slow breakbeats, moody samples, deep bass, female haunting vocal, cinematic downtempo production, 85 BPM, no brightness, shadowy urban feel

2018 afro trap, energetic and rhythmic, African percussion, 808 bass, trap drums, male rap vocal with African accent, fusion production, 128 BPM, no pure trap, Afrobeat influence

2015 boom trap, fusion of boom bap and trap, classic boom bap drums with 808 bass, vinyl texture, male rap vocal with boom bap flow, hybrid production, 95 BPM, vintage meets modern

2017 mumble rap, laid-back and trippy, 808 bass, minimalist beats, melodic elements, male vocal with mumbled delivery and heavy auto-tune, modern trap production, 140 BPM, no clear diction, vibe-focused

2006 snap music, bouncy and simple, finger snap samples, minimalist beats, repetitive hooks, male rap vocal with simple flow, club snap production, 90 BPM, no complexity, dance-focused

2010s nerdcore, clever and geeky, video game samples, chiptune elements, male rap vocal with complex wordplay and nerd references, creative production, 110 BPM, no street themes, geek culture focus

2010s Christian hip-hop, uplifting and positive, soulful samples, live drums, positive message, male rap vocal with clear delivery, polished inspirational production, 95 BPM, no explicit content, faith-based

1990s New Orleans bounce, energetic and call-response, Triggerman beat, vocal chants, party energy, call-and-response vocals, raw bounce production, 100 BPM, no subtlety, pure New Orleans energy

1990s Chicano rap, smooth and West Coast influenced, lowrider funk, oldies samples, bilingual vocals, male rap vocal with Chicano accent, warm California production, 90 BPM, no East Coast sounds, Latino pride

2019 horrorcore trap fusion, dark and sinister, 808 bass, eerie melodies, horror samples, male rap vocal with sinister delivery, dark trap production, 140 BPM, no uplifting elements, horror atmosphere

1994 boom bap, nostalgic and sample-heavy, jazz and soul samples chopped, classic kick-snare pattern, vinyl crackle throughout, male rap vocal with golden age flow, dusty SP-1200 production, 93 BPM, no digital sounds, pure analog warmth

2020s mainstream pop, bright and uplifting, synth-driven production, tight drums, catchy melody, female pop vocal with polished delivery, modern hi-fi production, 120 BPM, no guitars, radio-ready mix

1980s synth-pop, nostalgic and energetic, analog synthesizers, drum machine, bright arpeggios, female vocal with 80s vibrato, vintage production with reverb, 118 BPM, no modern production, retro warmth

2018 dark pop, brooding and atmospheric, minor key synths, deep bass, minimalist beats, female vocal with breathy intimate delivery, moody modern production, 110 BPM, no bright elements, shadowy atmosphere

2015 indie pop, playful and quirky, jangly guitars, synth accents, indie drums, female vocal with expressive character, lo-fi bedroom production, 128 BPM, organic feel, no overproduction

2012 electropop, energetic and danceable, pulsing synth bass, four-on-the-floor kick, bright synth leads, female vocal with processed delivery, club-ready production, 128 BPM, no guitars, electronic throughout

2000s teen pop, sweet and bubbly, bright synths, pop drums, catchy hooks, young female vocal with cheerful delivery, glossy pop production, 125 BPM, maximum catchiness, radio-friendly

1980s sophisti-pop, sophisticated and smooth, jazz-influenced chords, polished synths, subtle brass, male vocal with refined delivery, pristine studio production, 115 BPM, elegant arrangement, no rough edges

1970s power pop, energetic and melodic, jangly electric guitars, driving bass, punchy drums, male vocal with melodic delivery, clean rock production, 135 BPM, no distortion, bright and hooky

1990s dream pop, ethereal and atmospheric, reverb-soaked guitars, lush synth pads, soft drums, female vocal buried in mix with dreamy delivery, wall-of-sound production, 100 BPM, no clarity, hazy textures

2020s hyperpop, chaotic and maximalist, distorted bass, glitchy percussion, pitched vocals, heavily auto-tuned vocal with extreme processing, hyper-compressed production, 170 BPM, no subtlety, aggressive digital sound

1970s classic rock, powerful and anthemic, overdriven electric guitars, solid bass, stadium drums, male rock vocal with strong delivery, analog warm production, 125 BPM, no modern elements, vintage amp tones

2000s post-punk revival, cold and detached, angular electric guitar, bass-forward mix, dry snare, baritone male vocal with flat delivery, no vibrato, minimal dry production, 115 BPM, no synths, no melody leads, no warmth

1990s grunge, raw and distorted, heavy guitar with sludgy tone, rumbling bass, live drums, male vocal alternating quiet verses and loud chorus, lo-fi garage production, 98 BPM, no polish, dirty Seattle sound

1990s shoegaze, dreamy and dense, heavily effected guitars, reverse reverb, buried vocals, androgynous vocal lost in the mix, wall-of-sound production with maximum reverb, 105 BPM, no clarity, layered textures

2010s indie rock, upbeat and jangly, clean electric guitars, melodic bass, indie drums, male vocal with conversational delivery, lo-fi indie production, 140 BPM, no overproduction, garage feel

1977 punk rock, aggressive and fast, power chords, driving bass, rapid drums, shouted male vocal with raw energy, garage production, 180 BPM, no solos, no complexity, pure energy

2000s math rock, intricate and complex, tapping guitar techniques, odd time signatures, tight bass, technical drumming, instrumental no vocals, clean precise production, 135 BPM in 7/8 time, no standard song structure

2005 emo rock, emotional and intense, palm-muted verses with open chord chorus, driving bass, tight drums, male vocal with strained emotional delivery, polished emo production, 150 BPM, dynamic loud-quiet shifts

2000s stoner rock, heavy and groovy, downtuned guitars with fuzz, thick bass, slow powerful drums, male vocal with laid-back delivery, warm vintage production, 85 BPM, desert rock vibe, no speed

2000s garage rock revival, raw and energetic, lo-fi guitar tones, simple bass lines, punchy drums, male vocal with attitude, intentionally rough production, 135 BPM, no polish, garage aesthetics

2015 deep house, hypnotic and groovy, deep bass line, soft kick drum, atmospheric pads, subtle vocal samples, warm analog production, 122 BPM, no aggressive elements, smooth club sound

2020s techno, dark and industrial, pounding kick drum, acid bass line, metallic percussion, no vocals instrumental only, raw warehouse production, 135 BPM, relentless energy, no melody

2010s liquid drum & bass, smooth and melodic, rolling drum break at 174 BPM, deep sub bass, jazzy chords, atmospheric pads, soulful female vocal samples, polished liquid production, no aggressive sounds

2011 dubstep, aggressive and heavy, wobble bass, half-time drums at 140 BPM, dramatic build-ups, growling synth bass, no vocals instrumental, maximalist production with massive drops, no subtlety

2018 ambient, ethereal and spacious, slow-evolving synth pads, subtle field recordings, distant reverb, no vocals instrumental only, minimal beatless production, 60 BPM feel, no drums, maximum space

2016 future bass, bright and euphoric, lush chord stabs, pitched vocal chops, sub bass, trap-influenced drums, melodic synth leads, polished modern production, 150 BPM, festival-ready energy

2000s IDM, experimental and glitchy, complex drum programming, abstract synth textures, broken beats, no vocals instrumental, cerebral production with technical precision, 138 BPM, no conventional structure

2005 uplifting trance, euphoric and emotional, soaring synth leads, arpeggiated bassline, four-on-the-floor kick, emotional breakdown with strings, polished trance production, 138 BPM, no vocals, melodic focus

2018 synthwave, nostalgic and cinematic, vintage analog synths, gated reverb drums, arpeggio bass, driving rhythm, no vocals instrumental, 1980s-inspired production with modern clarity, 110 BPM, neon aesthetics

1990s breakbeat, funky and energetic, chopped drum breaks, funk bass line, synth stabs, no vocals instrumental, raw breakbeat production, 135 BPM, no four-on-the-floor, broken rhythm focus

2020s contemporary R&B, smooth and intimate, minimal production with synth pads, sub bass, trap-influenced drums, male vocal with melismatic runs and falsetto, modern hi-fi production, 85 BPM, no live instruments, polished digital sound

1990s R&B, soulful and groovy, live drums with swing, warm bass guitar, Rhodes electric piano, female vocal with powerful runs, analog warmth production, 92 BPM, no modern trap elements, classic soul influence

2000s neo-soul, warm and organic, live drums, upright bass, electric piano, subtle guitar, female vocal with jazzy phrasing, warm analog production, 88 BPM, no digital elements, natural instrumentation

2015 alternative R&B, moody and atmospheric, minimal beats, dark synth pads, sub bass, male vocal with breathy delivery and pitch manipulation, lo-fi bedroom production, 75 BPM, no bright elements, shadowy textures

1990 New Jack Swing, upbeat and funky, swing drums with electronic elements, synth bass, horn stabs, male vocal with rhythmic delivery, bright digital production, 115 BPM, hip-hop influenced, energetic groove

1980s quiet storm R&B, romantic and smooth, lush synth pads, soft drums, warm bass, male vocal with tender delivery, polished studio production with reverb, 72 BPM, no aggressive elements, maximum smoothness

2015 trap soul, emotional and atmospheric, 808 bass, trap hi-hats, minimal piano, male vocal with auto-tune and emotional delivery, modern trap-influenced production, 68 BPM, R&B melodies over trap beats

1970s soul music, uplifting and powerful, live horns section, warm bass, vintage drums, female vocal with gospel-influenced delivery, analog Motown production, 105 BPM, no modern elements, pure vintage soul

1975 funk soul, groovy and rhythmic, slap bass, tight drums with pocket, wah guitar, horn section hits, male vocal with funky delivery, warm analog production, 110 BPM, heavy groove emphasis, no modern production

1960s gospel soul, spiritual and powerful, church organ, handclaps, tambourine, choir harmonies, lead female vocal with emotional runs, live church production, 90 BPM, uplifting energy, authentic spiritual feel

1990s death metal, brutal and aggressive, downtuned guitars with palm muting, blast beat drums, distorted bass, guttural growled vocals, raw underground production, 180 BPM, no clean vocals, maximum aggression

1990s black metal, cold and atmospheric, tremolo picked guitars, blast beats, thin production, shrieked vocal, raw lo-fi production with tape hiss, 200 BPM, no bass clarity, frozen Nordic atmosphere

1980s thrash metal, fast and aggressive, rapid palm-muted riffs, double bass drums, aggressive vocals with shouting, raw thrash production, 220 BPM, no melodic elements, pure speed and aggression

1990s doom metal, slow and crushing, extremely downtuned guitars with massive distortion, slow pounding drums, rumbling bass, deep growled vocals, heavy oppressive production, 60 BPM, no speed, maximum heaviness

2000s progressive metal, complex and technical, odd time signatures, intricate guitar work, double bass drums, clean and harsh vocal mix, pristine modern production, 145 BPM in 7/8 time, technical proficiency focus

2005 metalcore, aggressive with melodic elements, breakdowns with open string chugging, blast beats and double bass, screamed verses with sung chorus, polished modern production, 175 BPM, breakdown emphasis, no pure death metal

1990s power metal, epic and melodic, galloping rhythm guitars, double bass drums, neoclassical solos, high-pitched male vocal with operatic delivery, polished European production, 180 BPM, fantasy themes, no harsh vocals

2010s djent, technical and polyrhythmic, 8-string guitar with palm-muted chugging, syncopated drums, ambient interludes, harsh and clean vocal mix, modern pristine production, 140 BPM with polyrhythms, progressive structure

2000s sludge metal, slow and grimy, heavily distorted downtuned guitars, feedback and noise, slow crushing drums, harsh shouted vocals, intentionally muddy production, 75 BPM, swamp-like heaviness, no clarity

2005 symphonic metal, epic and cinematic, orchestral strings and choir, heavy guitar riffs, double bass drums, operatic female vocal with classical training, polished production with orchestral blend, 155 BPM, no harsh vocals, epic scope

1940s bebop jazz, fast and complex, walking upright bass, ride cymbal with swing, bebop piano comping, tenor saxophone with rapid runs, live acoustic production, 240 BPM, no vocals instrumental, pure jazz complexity

1950s cool jazz, relaxed and smooth, soft trumpet with mute, gentle piano, light drums, walking bass, instrumental no vocals, warm studio production, 120 BPM, West Coast vibe, laid-back sophistication

1970s jazz fusion, energetic and electric, electric piano, distorted guitar, slap bass, complex drums, tenor saxophone, instrumental no vocals, funky fusion production, 140 BPM, rock-influenced energy, no pure acoustic jazz

1990s smooth jazz, mellow and polished, soprano saxophone with soft tone, electric piano, programmed drums, no acoustic bass, female vocal on chorus only, glossy studio production, 92 BPM, radio-friendly, no complexity

1960s free jazz, chaotic and experimental, atonal saxophone runs, free-form piano, no time signature, upright bass, explosive drums, instrumental no vocals, raw live production, no fixed tempo, avant-garde approach

1960s Latin jazz, rhythmic and spicy, conga drums, timbales, piano montuno, brass section, upright bass, instrumental no vocals, warm analog production, 180 BPM, Afro-Cuban influence, danceable groove

1960s modal jazz, meditative and spacious, trumpet with open tone, modal piano exploration, walking bass, soft brushes on drums, instrumental no vocals, natural studio production, 100 BPM, minimal chord changes, contemplative mood

1950s hard bop, driving and bluesy, hard-hitting drums, walking bass, bluesy piano, tenor saxophone with edge, instrumental no vocals, warm analog production, 200 BPM, gospel and blues influence, rhythmic intensity

2000s nu jazz, electronic and atmospheric, programmed beats, Rhodes electric piano, electronic effects, subtle saxophone, instrumental no vocals, modern digital production, 95 BPM, downtempo feel, electronic jazz hybrid

2010s jazz-hop, relaxed and nostalgic, sampled jazz piano, vinyl crackle, boom-bap drums, dusty samples, instrumental no vocals, lo-fi bedroom production, 85 BPM, hip-hop influenced, study music vibe

1970s outlaw country, rebellious and raw, steel guitar and telecaster twang, upright bass walk, brushed snare, male baritone vocal with Texas grit and slight nasal tone, analog tape warmth, 96 BPM, no pop gloss, no modern production, pure honky-tonk attitude

1950s Appalachian bluegrass, lonesome and spiritual, three-finger banjo rolls, fiddle lead, acoustic flat-top guitar rhythm, upright bass thump, male tenor with high lonesome cry, no drums, acoustic live recording feel, 145 BPM, no electric instruments, pure mountain sound

1960s Nashville Sound country, smooth and polished, orchestral strings, background vocal chorus, electric guitar licks, female vocal with crystalline delivery and gentle vibrato, lush studio production, 98 BPM, no rough edges, radio-friendly country pop

1970s country rock, dusty and wide-open, electric guitars with country bends, Hammond organ, laid-back drums, male vocal with Southern drawl, warm analog production evoking open highway, 108 BPM, no hard rock aggression, California country vibe

1950s honky tonk, rowdy and heartbroken, honky tonk piano, steel pedal guitar crying leads, shuffle drums, male vocal with bar-room delivery and heartache in the voice, lo-fi roadhouse recording, 118 BPM, whiskey-soaked atmosphere, no modern production

2010s contemporary country, anthemic and cinematic, electric guitar power chords, driving drums, mandolin accents, male vocal with rugged emotional delivery, polished modern production with arena feel, 120 BPM, crowd-ready energy, no old-school twang

2000s Americana, weathered and storytelling, fingerpicked acoustic guitar, dobro slide, sparse percussion, male vocal with worn world-weary delivery, intimate close-mic production, 84 BPM, no drum kit, raw and honest, front-porch feel

1940s Western swing, jazzy and danceable, twin fiddles, steel guitar, rhythm guitar chop, upright bass, female vocal with swinging playful delivery, warm big band country feel, 160 BPM, no modern production, Texas dance hall energy

2013 bro country, rowdy and celebratory, crunchy electric guitar riff, hip-hop influenced drumbeat, tailgate party energy, male vocal with swaggering delivery, glossy modern production, 100 BPM, summer party vibe, no sophistication

1930s country blues, raw and sorrowful, resonator guitar slide, sparse foot stomp, male vocal with field holler inflections and deep pain, lo-fi mono recording texture, 72 BPM, maximum poverty and emotion, no accompaniment, just voice and guitar

1990s alt-country, melancholic and literary, jangly electric guitar, melodic bass, brushed drums, male vocal with quiet literary delivery and understated emotion, lo-fi indie production, 92 BPM, no twang, no radio gloss, Midwest sadness

2000s red dirt Texas country, earthy and authentic, acoustic guitar strum, fiddle, harmonica accents, male vocal with heartfelt Texas storytelling, warm analog sound, 104 BPM, no Nashville polish, honest working-class roots

1970s country soul, warm and emotional, pedal steel guitar, Memphis horns, gospel-influenced backing vocals, female vocal with powerful soulful delivery, rich analog production, 88 BPM, soul and country fused perfectly, no modern elements

2000s progressive newgrass, energetic and complex, electric banjo, mandocello, upright bass, intricate percussion, male vocal with clear articulate delivery, sophisticated acoustic production, 152 BPM, jazz harmony influences, no traditional bluegrass limitations

2020s country pop crossover, bright and hooky, acoustic guitar foundation, electronic drum elements, synthesizer accents, female vocal with strong melodic hooks and emotional chorus, polished pop-country production, 116 BPM, maximum radio appeal

1950s cinematic western, vast and lonely, Spanish guitar arpeggios, orchestral strings swell, distant harmonica, male vocal with heroic resonant delivery, cinematic MGM western production, 76 BPM, wide open frontier atmosphere, no modern instruments

1960s Cajun country, lively and festive, accordion lead, fiddle countermelody, washboard percussion, acoustic guitar strum, male vocal with French Cajun accent and celebratory delivery, bayou recording feel, 132 BPM, no Nashville influence, pure Louisiana

1960s folk country protest, earnest and determined, strummed acoustic 12-string, simple harmonica, male vocal with clear sincere delivery and purposeful tone, intimate lo-fi folk recording, 104 BPM, no electric instruments, political conviction

2010s dark country, brooding and gothic, minor key acoustic guitar, cello undertones, sparse brushed drums, female vocal with haunting minor-key delivery and dark mystique, moody intimate production, 80 BPM, murder ballad atmosphere, no brightness

1970s country gospel, joyful and uplifting, acoustic guitar strum, piano fills, handclaps, harmony backing vocals, female lead vocal with powerful jubilant delivery, warm southern church production, 112 BPM, faith and joy, no secular themes

Late Romantic era orchestral, sweeping and grandiose, full symphony orchestra with lush string writing, brass fanfares, timpani rolls, no vocals instrumental, rich warm concert hall recording, 72 BPM in 4/4, Brahms-influenced emotional depth, no minimalism

Baroque era chamber music, ornate and precise, harpsichord continuo, baroque violin ornamentation, cello bass line, oboe melody, no modern instruments, intimate period recording feel, 120 BPM in 3/4, Bach-influenced counterpoint, no vibrato on strings

Classical era piano sonata, dramatic and stormy, solo grand piano with heavy left-hand chords, rapid right-hand runs, dynamic contrasts from pianissimo to fortissimo, no other instruments, clean concert recording, 144 BPM, Beethoven-influenced passion, no pedal blur

French Impressionist orchestral, hazy and atmospheric, shimmering string harmonics, flute and oboe colors, whole-tone scale passages, harp glissandos, no vocals, warm studio recording, 60 BPM flowing, Debussy-influenced color and texture, no clear melody

Classical string quartet, intimate and conversational, two violins viola and cello in dialogue, clean dry acoustic recording, subtle dynamic expression, 112 BPM, Haydn-influenced wit and clarity, no vibrato excess, chamber music warmth, no orchestra

2010s modern cinematic orchestral, epic and heroic, full orchestra with massive brass section, powerful timpani, driving string ostinato, wordless choir, no soloists, pristine modern recording, 88 BPM, Hans Zimmer-influenced power, maximum emotional impact

1970s minimalist classical, meditative and hypnotic, repeated piano arpeggios with gradual phase shifts, sparse strings entering slowly, no dramatic changes, instrumental only, pristine studio recording, 84 BPM, Philip Glass-influenced repetition, no variation

19th century Italian opera, passionate and theatrical, full orchestra accompaniment, dramatic soprano vocal with full operatic technique and wide vibrato, recitative and aria structure, concert hall acoustic, 76 BPM, Verdi-influenced drama, no restraint

1920s neoclassical, clean and witty, small chamber orchestra, crisp rhythmic figures, clear melodic lines, no sentimentality, dry studio recording, 132 BPM, Stravinsky-influenced objectivity, no romantic excess, precise articulation

Baroque era solo cello suite, melancholic and deep, unaccompanied cello with resonant open strings, Bach-style suite movements, intimate close-mic recording, 96 BPM, dark rich cello tone, emotional without sentimentality, no other instruments

Romantic era piano concerto, triumphant and virtuosic, solo grand piano in dialogue with full orchestra, cadenza passages with rapid scales, powerful orchestral tutti sections, concert hall recording, 152 BPM, Rachmaninoff-influenced power and lyricism

Renaissance sacred choral, reverent and soaring, SATB choir with pure vowel tone, no vibrato, polyphonic a cappella texture, cathedral acoustic reverb, 56 BPM, Palestrina-influenced purity, no instruments, ethereal spiritual atmosphere

1960s avant-garde contemporary classical, dissonant and unsettling, extended string techniques with col legno and sul ponticello, prepared piano clusters, woodwind multiphonics, no tonal center, dry studio recording, no fixed tempo, Penderecki-influenced darkness

Romantic era violin concerto, lyrical and singing, solo violin with expressive vibrato and long melodic lines, lush orchestra accompaniment with swelling strings, concert recording, 84 BPM, Mendelssohn-influenced song-like quality, warm and beautiful

1870s Viennese waltz, elegant and graceful, full symphony orchestra with sweeping string melody, one-two-three waltz rhythm, glittering woodwind trills, warm concert hall, 180 BPM in 3/4, Strauss-influenced elegance and charm, ballroom atmosphere

Romantic era choral requiem, somber and grand, full orchestra with choir, bass soloist with deep resonant voice, dramatic Dies Irae brass and timpani, concert hall acoustic, 60 BPM, Verdi Requiem-influenced power, death and judgment atmosphere

2000s psychological thriller film score, tense and unsettling, low string ostinato, isolated piano notes, dissonant brass stabs, solo cello melody with unease, modern studio recording, 88 BPM, Bernard Herrmann-influenced dread, no resolution

20th century French art music, delicate and impressionistic, solo flute with clear pure tone, piano accompaniment with subtle harmonic color, intimate recital recording, 76 BPM, Fauré-influenced refinement, no drama, gentle and nuanced

Renaissance brass fanfare, triumphant and ceremonial, natural trumpets and sackbuts, timpani flourishes, no strings no woodwinds, period instrument performance, outdoor acoustic feel, 120 BPM, royal pageantry atmosphere, maximum brass brilliance

1890s late Romantic symphony, epic and searching, enormous orchestra with quadruple woodwinds, massive brass, deep philosophical character, long developmental sections, concert hall recording, 66 BPM, Mahler-influenced scope and ambition, 20 minute journey feel

2020s reggaeton, hard-hitting and hypnotic, dembow riddim kick pattern, 808 bass with Latin flavor, hi-hat triplets, male perreo vocal with confident machista delivery, modern trap-influenced reggaeton production, 95 BPM, no melody focus, rhythm-first

1970s New York salsa dura, energetic and rhythmic, brass section stabs, clave rhythm, congas and timbales, piano montuno, upright bass tumbao, male vocal with grito and call-response chorus, warm analog Fania Records sound, 190 BPM, no modern production

1960s Brazilian bossa nova, intimate and sophisticated, nylon string guitar with gentle batida pattern, upright bass, light brush drums, male or female vocal with soft breathy delivery and jazz harmony, warm intimate studio recording, 130 BPM, Joao Gilberto-influenced subtlety

1960s Colombian cumbia, festive and hypnotic, gaita flute, caja drums, maracas, accordion melody, bass guitar groove, female vocal with regional delivery, warm analog Colombian recording, 110 BPM, Caribbean coastal energy, no modern production

2018 Latin trap, dark and brooding, minor key piano melody, 808 bass with Latin rhythm, trap hi-hats, male vocal with Spanish rap delivery and melodic hooks, moody modern production, 140 BPM, no brightness, street Latin aesthetic

1980s Dominican merengue, high-energy and joyful, accordion lead, tambora drum driving rhythm, güira scraper, brass hits, male vocal with rapid-fire delivery and humor, bright studio recording, 220 BPM, Dominican party energy, no slow moments

1950s Latin bolero, deeply romantic and melancholic, Spanish guitar arpeggios, lush string orchestra, subtle percussion, male tenor vocal with intense romantic delivery and rich vibrato, warm analog recording, 72 BPM, heartbreak and passion, no rhythm focus

2010s modern bachata, sensual and emotional, lead guitar with characteristic bicheos ornaments, bass guitar, bongo hits, maracas, male vocal with heartfelt romantic delivery, polished Dominican production, 128 BPM, romantic intimacy, Romeo Santos-influenced style

Traditional Spanish flamenco, passionate and fiery, nylon string guitar with rasgueado strumming and falsetas, hand clapping palmas, cajón rhythm, male cantaor with raw powerful duende, intimate tablao recording, 168 BPM in bulería, no modern elements, pure Andalusian soul

1960s Brazilian carnival samba, euphoric and driving, surdo bass drum, tamborim, agogô bells, cuíca friction drum, cavaquinho guitar, female vocal with joyful sambista delivery, Rio carnival atmosphere, 200 BPM, maximum celebration energy

1950s Afro-Cuban mambo, explosive and rhythmic, full big band brass section, piano montuno, clave, congas, timbales solos, no vocals instrumental, warm analog Havana recording, 200 BPM, Tito Puente-influenced power and rhythm, jazz harmony

2000s Latin pop crossover, bright and catchy, acoustic guitar, percussion, synth accents, melodic chorus, female vocal with clear bright delivery and bilingual English-Spanish lyrics, polished Miami pop production, 118 BPM, radio-ready global appeal

1930s Son Cubano, warm and syncopated, tres guitar with characteristic Cuban voicings, bongos, maracas, upright bass, call-response vocals with coro, intimate analog Havana recording, 112 BPM, authentic Cuban son, no jazz influences, roots music

1990s Mexican banda sinaloense, festive and brassy, tuba bass line, drums, sousaphone, full brass section, clarinet leads, male vocal with regional Mexican delivery and grito, banda recording, 100 BPM, Sinaloa party energy, no guitar-based sound

1970s Colombian vallenato, heartfelt and poetic, diatonic accordion lead, caja drum, guacharaca scraper, male vocal with poetic lyrical storytelling, warm analog coastal recording, 128 BPM, Carlos Vives-influenced warmth, Caribbean Colombian feel

1940s Argentine tango, dramatic and passionate, bandoneón lead with characteristic tango phrasing, piano, strings, double bass, male vocal with Buenos Aires accent and portena delivery, intimate milonga recording, 64 BPM, Piazzolla-influenced drama, no modern elements

2005 reggaeton romántico, smooth and sensual, soft dembow with R&B influence, melodic piano, 808 sub bass, male vocal with romantic singing over reggaeton rhythm, polished Latin production, 90 BPM, bedroom vibe, Don Omar-influenced smoothness

1980s Mexican norteño, storytelling and authentic, bajo sexto guitar, diatonic button accordion, drums, male vocal with northern Mexican regional delivery, raw border recording feel, 132 BPM, corrido narrative storytelling, no modern production

2020s Afro-Latin fusion, rhythmically complex and infectious, West African talking drum, Cuban clave, Brazilian samba elements, layered percussion, male bilingual vocal with Yoruba-influenced melody, modern pan-African-Latin production, 115 BPM, global fusion

2022 urbano latino, sleek and modern, electronic dembow, synthesized bass, trap hi-hats, melodic vocal hooks, male and female vocal interchange, polished global Latin pop production, 94 BPM, Bad Bunny-influenced sound, maximum streaming appeal

2015 Lagos Afrobeats, infectious and danceable, talking drum pattern, electronic drum kit, synthesized bass, electric guitar riff, male vocal with Yoruba-English pidgin delivery, warm Lagos pop production, 102 BPM, no dark themes, pure celebration energy

2020s Afropop, melodic and emotional, layered vocal harmonies, gentle talking drum, acoustic guitar, synthesizer pads, male vocal with smooth falsetto and Afropop melisma, polished modern production, 96 BPM, Wizkid-influenced intimacy, no aggression

1970s Ghanaian highlife, joyful and melodic, electric guitar with characteristic highlife picking pattern, brass section, upright bass, percussion, male vocal with Twi-English delivery, warm analog Accra recording, 120 BPM, no modern production, vintage West African warmth

2020s South African amapiano, deep and hypnotic, log drum bass patterns, piano stabs, sub bass, percussion shuffle, male vocal with deep South African log drum delivery, Johannesburg club production, 112 BPM, log drum-first, no aggression

2018 UK Afroswing, smooth and melodic, Afrobeats rhythm with UK R&B influence, electric guitar riff, 808 bass, trap hi-hats, male vocal with British-Nigerian accent and melodic singing, urban London production, 98 BPM, Afroswing vibe

1980s Nigerian juju music, rhythmically hypnotic, talking drum lead, guitar multiple layers, synthesizer, percussion ensemble, male vocal with Yoruba praise singing and group response, sunny Alade-influenced production, 116 BPM, ceremonial energy, no Western structure

2018 Afro house, deep and spiritual, African percussion over house kick, organic bass, piano chords, female vocal sample with African phrase, Black Coffee-influenced deep production, 122 BPM, spiritual dancefloor energy, Johannesburg club feel

1990s Nigerian fuji music, energetic and devotional, dundun talking drums ensemble, percussion ensemble, no Western instruments, male lead vocalist with Islamic devotional praise style, spontaneous vocal improvisation, raw live recording, 180 BPM, no melody focus

2022 Afro drill, dark and hard-hitting, sliding 808 bass over afrobeats rhythm, UK drill influence with African percussion layer, male vocal with stern delivery in Nigerian accent, modern street production, 140 BPM, no brightness, Lagos streets

1970s Cameroonian makossa, joyful and funky, electric bass, guitar melody, brass hits, percussion, male vocal with Cameroonian French delivery, warm analog Douala recording, 126 BPM, Manu Dibango-influenced groove, no modern production

2015 South African gqom, raw and hypnotic, minimal kick pattern, gritty synth bass, no melody, hi-hat chop patterns, no vocal just tribal vocal samples, raw Durban township production, 128 BPM, dark and stripped, no polish

2019 Afrobeats slow jam, romantic and intimate, gentle guitar riff, soft percussion, synthesizer pad, male vocal with tender loving delivery in Yoruba and English, warm intimate production, 78 BPM, bedroom Afropop, no uptempo elements

1980s Congolese soukous, joyful and guitar-driven, multiple interlocking guitars with sebene riff lead, upright bass, light percussion, male vocal with Lingala delivery, bright Kinshasa studio sound, 152 BPM, Papa Wemba-influenced energy, no heavy bass

2021 Afrobeats summer anthem, euphoric and uplifting, layered percussion, bright guitar licks, melodic synth hook, male and female vocal duet with celebratory energy, polished modern Afropop production, 103 BPM, global festival appeal, maximum sunshine

1980s Senegalese mbalax, complex and percussive, sabar drum polyrhythms, kora harp accents, electric guitar, bass, male vocal with Wolof griot delivery, Youssou N'Dour-influenced performance, Dakar recording, 160 BPM, no Western structure, pure Senegalese feel

2022 global Afrobeats fusion, innovative and forward-looking, Afrobeats rhythm with electronic music influence, ambient synth textures, organic percussion, male vocal with English lyrics and African melody sense, Grammy-crossover production, 100 BPM

1970s Afrobeat, hypnotic and political, multiple horn section riffing, polyrhythmic percussion with African drums, electric bass, Fela Kuti-style extended composition, male vocal with political Pidgin English commentary, Lagos Shrine recording feel, 108 BPM, no commercial appeal

1990s South African kwaito, laidback and township cool, slow house beat, synth bass, sampled vocal chops, minimal Zulu or Sotho vocal phrases, lo-fi township production, 100 BPM slow-drag feel, no Western pop influence, Soweto identity

2020s Afropop female, powerful and confident, driving percussion, bright synth hook, electric guitar accent, female vocal with strong assertive delivery and natural African accent, modern empowerment production, 106 BPM, Tiwa Savage-influenced confidence

2019 Afrobeats-Caribbean fusion, warm and danceable, Afrobeats rhythm with dancehall influence, steelpan accents, bass, percussion, male vocal alternating Nigerian and Jamaican patois delivery, sunny tropical production, 98 BPM, beach party feel

1930s Mississippi Delta blues, raw and ancient, slide bottleneck guitar on resonator, sparse foot stomp, male vocal with field holler cry and deep emotional pain, mono lo-fi field recording texture, 72 BPM, Robert Johnson-influenced darkness, no accompaniment

1950s Chicago electric blues, gritty and powerful, electric guitar with humbucker crunch, harmonica through mic amp, upright bass, drum kit, male vocal with South Side Chicago authority, Chess Records analog production, 120 BPM, Muddy Waters-influenced raw power

1960s Texas blues, slow and heavy, electric guitar with Stratocaster tone and vibrato arm expression, organ, bass, drums, male vocal with Texas swagger and intensity, warm analog Texas recording, 68 BPM, Stevie Ray Vaughan-influenced power, massive guitar tone

2010s contemporary gospel, uplifting and joyful, full live band with electric guitar, Hammond B3 organ, driving drums, bass, powerful choir, lead female vocalist with explosive gospel runs and armor shout, modern church production, 116 BPM, praise and worship energy

1970s blues rock, driving and electrifying, overdriven Les Paul guitar with sustain, thundering bass, powerful live drums, male vocal with blues inflection and rock energy, live studio recording feel, 126 BPM, Cream-influenced power trio sound, no subtlety

1920s Piedmont country blues, bright and fingerpicked, alternating bass fingerpicking style on steel string acoustic, light rhythmic feel, male vocal with East Coast ragtime-blues delivery, lo-fi cylinder recording texture, 110 BPM, Blind Boy Fuller-influenced style

1940s traditional gospel spiritual, deeply moving and reverent, piano with gospel chord voicings, handclaps, no drums, mixed choir with call-response structure, lead female soprano with tremendous emotional power, warm church recording, 84 BPM, Mahalia Jackson-influenced depth

1940s jump blues, swinging and fun, tight horn section riffs, jump drums, electric guitar stabs, upright bass walk, male vocal with jumping jive delivery and good humor, warm analog big band blues recording, 180 BPM, Louis Jordan-influenced entertainment, pure joy

1960s soul blues, deep and emotional, organ, bass, drums, horns, male vocal with deep Southern soul and blues pain, southern soul production, 92 BPM, Bobby Blue Bland-influenced sophistication, blues meets soul, warm and heartbroken

1940s boogie woogie blues, rollicking and unstoppable, solo piano with driving left-hand bass pattern and right-hand treble riffs, no other instruments, male vocal shout on chorus, raw barrelhouse recording, 180 BPM, Pete Johnson-influenced speed, pure piano boogie

2020s modern worship gospel, intimate and devotional, acoustic guitar, piano, soft drums, bass, male vocal with sincere heartfelt worship delivery, clean modern church production, 76 BPM, Chris Tomlin-influenced sincerity, no performance feel, genuine devotion

1950s Louisiana swamp blues, murky and mysterious, slide guitar with bayou feel, swamp bass, shuffling drums with loose feel, male vocal with southern Creole delivery, lo-fi swamp recording, 88 BPM, Slim Harpo-influenced atmosphere, bayou darkness

1980s Southern mass choir gospel, explosive and triumphant, full choir with 50 voices, Hammond B3 organ, drums, electric bass, lead male preacher-singer with powerful call, thunderous response from choir, Atlanta church recording, 104 BPM, James Cleveland-influenced power

2000s modern electric blues, sophisticated and emotional, Les Paul guitar with warm overdrive, Wurlitzer electric piano, bass, drums, male vocal with contemporary blues phrasing and soul, pristine modern recording, 98 BPM, Joe Bonamassa-influenced technique and feeling

1960s slow blues ballad, heartbroken and longing, guitar with expressive bends and vibrato, piano fills, bass, slow shuffle drums, male vocal with maximum pain and longing in every note, warm intimate recording, 52 BPM, pure heartbreak, B.B. King-influenced expression

1990s gospel R&B crossover, inspirational and soulful, smooth R&B production, strings, bass, drums, female vocal with gospel power and R&B smoothness, inspirational message, polished gospel production, 96 BPM, Kirk Franklin-influenced fusion, uplifting

1950s solo acoustic blues, intimate and storytelling, steel string acoustic guitar with fingerpicking and flat-picking alternation, harmonica on rack, male vocal with personal story delivery, front porch recording feel, 96 BPM, pure solo performance, no band

1960s New Orleans R&B blues, funky and rhythmic, second-line drumbeat, piano with New Orleans roll style, upright bass, guitar, horn stabs, male vocal with New Orleans Creole delivery, warm Cosimo Matassa studio sound, 118 BPM, pure Crescent City groove

Traditional African American spiritual, ancient and deeply moving, a cappella voices with call and response, no instruments, field holler harmonization, slow building intensity, raw emotional delivery from multiple voices, 60 BPM, profound sadness and hope, no church polish

1950s West Coast jazz blues, cool and sophisticated, electric guitar with clean jazz-blues tone, small horn section, bass, light drums, male vocal with West Coast laid-back coolness, warm Los Angeles studio recording, 124 BPM, T-Bone Walker-influenced elegance

1977 British punk rock, raw and aggressive, power chords on cheap Telecaster, driving bass, simple fast drums, male vocal with working-class British accent and angry sneer, lo-fi garage production, 180 BPM, Sex Pistols-influenced energy, no guitar solos, maximum attitude

1980s American hardcore punk, brutal and fast, down-tuned power chords, blast-beat-adjacent drums, barked vocals shouted not sung, bass heavy mix, aggressive lo-fi production, 220 BPM, Minor Threat-influenced intensity, under 90 seconds, no melody

1990s post-hardcore, emotionally intense and dynamic, clean guitar verses exploding into heavy distorted chorus, melodic bass, expressive drumming, male vocal alternating singing and screaming, raw intimate production, 145 BPM, Fugazi-influenced sophistication and emotion

1999 pop punk, catchy and angsty, palm-muted guitar riff opening to power chord chorus, melodic bass, driving drums, male vocal with teen angst and clear melodic hooks, polished pop-punk production, 172 BPM, Blink-182-influenced catchiness, suburban restlessness

1980s Oi street punk, anthemic and working-class, simple guitar riffs, bass-heavy mix, stomping drums, male vocal with street-tough group chant chorus, rough pub recording feel, 160 BPM, Cockney Rejects-influenced boots-and-braces energy, no sophistication

1990s third-wave ska punk, energetic and fun, ska upstroke guitar, brass section hits, bass, fast drums, male vocal with ska-punk energy and slight humor, California punk production, 188 BPM, No Doubt-influenced brightness, horns prominent, no darkness

1990s crust punk, dark and grinding, heavily distorted down-tuned guitar, grinding bass, d-beat drumming, harsh shouted male vocals, anarchist lo-fi production, 140 BPM, Amebix-influenced doom-punk hybrid, apocalyptic atmosphere, maximum noise

1992 riot grrrl punk, fierce and empowered, raw distorted guitar, melodic but aggressive bass, driving drums, female vocal with feminist fury and unfiltered emotion, lo-fi Olympia Washington recording, 155 BPM, Bikini Kill-influenced rebellion, no male gaze

1980s punk jazz, chaotic and experimental, no wave influenced, angular guitar, free jazz drum approach, bass as lead, male and female dual vocals with spoken word, no wave New York production, no fixed tempo, DNA-influenced chaos, challenging

2000s metalcore hardcore, heavy and precise, chugging downtuned guitar breakdowns, blast beat drumming, bass drop moments, screamed vocals with occasional clean chorus, modern tight production, 180 BPM, Converge-influenced precision and weight, no melody focus

2000s punk blues fusion, raw and dangerous, distorted slide guitar, thundering bass, primitive drumming, male vocal with blues cry and punk aggression, lo-fi analog recording, 118 BPM, Jon Spencer Blues Explosion-influenced wildness, sweaty and chaotic

1983 anarcho punk, stark and political, clean guitar with dark tones, repetitive bass patterns, minimal drums, male vocal with earnest political delivery and clear message, stark production, 140 BPM, Crass-influenced political sincerity, no entertainment value

1990s shoegaze-influenced punk, blissful and heavy, thick wall of distorted guitar, driving rhythm section, ethereal female vocal buried in reverb and distortion, lush heavy production, 132 BPM, My Bloody Valentine-meets-hardcore sound, hazy and crushing

1980s California punk with surf influence, energetic and fun, fast guitar riffs with surf echo, melodic bass, fast drums, male vocal with California accent and humor, warm SoCal recording, 200 BPM, Descendents-influenced fun, beach-punk attitude, no darkness

1990s powerviolence, extremely fast and brutal, blastbeat drums, grinding guitar, indecipherable bass noise, unintelligible screamed vocals, raw lo-fi ultra-fast production, 280 BPM, Man Is The Bastard-influenced extremity, 60 seconds maximum, pure aggression

1985 cowpunk country punk fusion, rowdy and irreverent, electric guitar twang with punk speed, pedal steel fast runs, upright bass slap, fast drums, male vocal with Southern accent and punk attitude, lo-fi recording, 176 BPM, Jason and The Scorchers-influenced wildness

1995 emo punk, sad and cathartic, clean guitar arpeggios erupting into distorted power chords, melodic bass, emotional drumming, male vocal with sincere emotional vulnerability, raw intimate DIY recording, 148 BPM, Sunny Day Real Estate-influenced sincerity, no irony

1979 new wave punk, danceable and angular, choppy guitar stabs, bouncing bass line, electronic drum machine, male vocal with British deadpan delivery, early synth accents, punk-meets-disco production, 136 BPM, Gang of Four-influenced dance-punk, no warmth

1990s noise rock, abrasive and confrontational, heavily distorted guitar feedback, driving bass, thunderous drums, male vocal shouted through distortion, lo-fi confrontational recording, 112 BPM, Jesus Lizard-influenced aggression, no melody, pure abrasion

1985 straight edge hardcore, intense and righteous, fast downstroked guitar, relentless bass, fast drums, male vocal with sober righteous delivery and clear message, tight controlled recording, 200 BPM, Youth of Today-influenced conviction, no ambiguity

North Indian classical raga, meditative and expansive, sitar with characteristic meend slides and gamak ornaments, tabla rhythmic development, tanpura drone throughout, male vocalist with khayal style, intimate studio recording, free tempo to 140 BPM teentaal, Ravi Shankar-influenced depth

Traditional Irish Celtic folk, lively and spirited, uilleann pipes lead, fiddle countermelody, bodhran drum, tin whistle harmony, male vocal with Irish lilt on ballad sections, live ceili session feel, 168 BPM jig feel, authentic Gaeltacht atmosphere, no modern instruments

Traditional West African griot music, hypnotic and ancient, kora 21-string bridge-harp lead with polyrhythmic patterns, djembe drumming, balafon xylophone, male griot vocalist with praise singing tradition, field recording feel, free flowing tempo, Toumani Diabaté-influenced mastery

1970s roots reggae, righteous and meditative, one-drop rhythm, overdriven rhythm guitar skank, organ melodica, bass front in mix, male vocal with Rasta spiritual delivery, Kingston studio sound, 80 BPM, Bob Marley-influenced message and feel, no pop reggae

Middle Eastern Arabic classical, ornate and melismatic, oud lead with characteristic Arabic ornamentation, qanun zither, riq tambourine, darbuka drum, male singer with maqam rast mode and Arabic melisma, warm studio recording, 120 BPM, Egyptian classical tradition, no Western harmony

1970s Jamaican dub, heavy and psychedelic, heavy reverb on everything, echo-drenched drum parts, massive bass front, guitar stabs disappearing into echo, no coherent vocal just snippets in echo, King Tubby-influenced studio manipulation, 80 BPM, smoky and underwater feel

Traditional Moroccan Gnawa music, trance-inducing and spiritual, guembri bass lute driving hypnotic bass line, qraqeb metal castanets, multiple voices chanting, ceremonial healing atmosphere, lo-fi live recording, 132 BPM hypnotic groove, no Western influence, pure trance

2018 contemporary Afrobeat fusion, sophisticated and political, modern horn section riffs, polyrhythmic live drums, bass guitar groove, no vocals instrumental, modern studio production, 104 BPM, Seun Kuti-influenced continuation of Fela tradition, jazz-funk fusion

Traditional Japanese koto music, serene and delicate, 13-string koto with characteristic ji-uta ornamentation, shamisen accompaniment, shakuhachi flute, no Western elements, intimate studio recording, slow flowing tempo 60 BPM, Ikuta school style, spring garden atmosphere

Turkish Sufi ceremonial music, ecstatic and spiritual, ney reed flute lead with breathy longing tone, ud lute harmony, daf frame drum, sema ceremony chanting, male voices in devotional rotation, reverberant tekke recording, 80 BPM building to 140 BPM, Mevlevi order tradition